Chord Distribution Analysis

Chord SymbolCountFrequency
G7720.0%
Dm7617.1%
E7617.1%
Cmaj7411.4%
C#0725.7%
Fmaj725.7%
F#0725.7%
A725.7%

Key Patterns Detected

PatternFunctionFrequency
Dm7 -> G7Setup (Major Key)5
G7 -> Cmaj7Resolution (Major)2
G7 -> Dm7Resolution (Minor)2

Harmonic Highlights

  • Utilizes #Io7 (C#o7) and #IVo7 (F#o7) as chromatic passing chords to provide smooth ascending transitions to the ii7 and V7 chords respectively.
  • Features a robust secondary dominant chain (E7–A7–D7) following the cycle of fourths, necessitating precise navigation of shifting guide tones.
  • Employs a tritone substitution (Db7) in the final cadence, functioning as a subV7 to create a chromatic resolution to the tonic Cmaj7.
  • The progression bridges diatonic functional harmony with blues-inflected movement, specifically the IV to #IVo7 transition common in early jazz swing.

Improvisation Focus

The C Major Blues scale (C, D, Eb, E, G, A), which perfectly integrates the song’s major key center with its inherent “bluesy” melodic character.

Difficulty Rating

2 — The harmonic structure relies on standard functional patterns and predictable secondary dominants, making it an ideal entry point for intermediate players.


Standard Available in:

  • The Real Book - Volume II
  • The Real Dixieland Book
  • The Real Vocal Book - Volume I
Check the Hal Leonard Jazz Song Finder to make sure that the standard is indeed in the book.