Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Ebmaj7 | 8 | 20.0% |
| Fm7 | 5 | 12.5% |
| Ebm7 | 4 | 10.0% |
| C7 | 3 | 7.5% |
| Bb7 | 3 | 7.5% |
| F7/Eb | 2 | 5.0% |
| Emaj7/Eb | 2 | 5.0% |
| Bb7alt | 1 | 2.5% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| C7 -> Fm7 | Resolution (Minor) | 3 |
| Fm7 -> Bb7 | Setup (Major Key) | 3 |
| Fm7 -> Bb7alt | Setup (Major Key) | 1 |
| Bb7alt -> Ebmaj7 | Resolution (Major) | 1 |
| Abm7 -> Db7alt | Setup (Major Key) | 1 |
| Db7alt -> Gbmaj7 | Resolution (Major) | 1 |
| Bb7 -> Ebmaj7 | Resolution (Major) | 1 |
| Dm7b5 -> G7b9 | Setup (Minor Key) | 1 |
| G7b9 -> Cm7 | Resolution (Minor) | 1 |
| Am7b5 -> D7b9 | Setup (Minor Key) | 1 |
| D7b9 -> Gm7 | Resolution (Minor) | 1 |
| Gm7 -> C7 | Setup (Major Key) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Features a prominent tonic pedal point (Eb) throughout the A-section, creating tension against the chromatic Emaj7/Eb (Neapolitan) and F7/Eb harmonies.
- Utilizes modal interchange via a direct shift from the parallel major (Ebmaj7) to the parallel minor (Ebm7).
- Executes a brief modulation to the bIII key (Gb Major) through a chromatic ii-V (Abm7–Db7) before returning to the tonic center.
- Contrasts the static, pedal-heavy “A” sections with standard functional ii-V-I progressions in the “B” section.
Improvisation Focus Modal interchange: Navigating the shift between Eb Ionian and Eb Dorian/Melodic Minor.
Difficulty Rating 3/5: The tune requires navigating non-diatonic shifts and pedal point harmony, though the “B” section remains functionally straightforward for intermediate players.
Standard Available in:
- The Real Book - Volume IV
- The Real Vocal Book - Volume III
Check the Hal Leonard Jazz Song Finder to make sure that the standard is indeed in the book.